What first pulled you from the dancefloor toward the DJ booth?

I’ve always felt like I had something creative in me that didn’t really have a place in my studies or work. Everything there is very structured, very rational, and I needed something that allowed me to move more freely.

Being on the dancefloor, I’d constantly catch myself thinking about the set, imagining how I would take it somewhere else. I’d get excited, but at the same time feel like something was missing. After a while it just made sense to stop waiting for that moment and start creating it myself.

Do you remember the first club night that really stuck with you? What made it special?

I think I was around 17 when I went to Ampere for the first time with some friends. Walking in felt like stepping into a completely different world.

I remember being fully absorbed by the music, but also just standing there looking up at the lights, completely mesmerised. It was one of those moments where you don’t really think, you just feel that you want to be part of this somehow.

What track has been on repeat for you lately, the one you just can’t stop playing?

Que Calor by Riana Holley. It’s super bouncy, has these really catchy vocals and it just instantly puts me in a good mood. One of those tracks that makes you move without thinking too much.

What kind of track instantly makes you think: this needs to go in my USB?

Lately anything with whistles or bongos gets me. I’ve been really into more latin influenced grooves.

I love tracks that take you somewhere else. If I’m sitting behind my desk and a track makes me feel like I’m on a beach or somewhere deep in a jungle, I’m in. I also have a soft spot for tracks that slow down for a second and then come back with a heavy drop.

You recently played Sfeerbeheer at Woom. What stood out about that night for you?

Woom always feels like stepping into something different because of the visuals, it really pulls you out of reality for a bit.

That night felt very intimate in a way. There was a strong connection with the crowd and you could feel that people were there to just be themselves. Everyone stayed in their own space but at the same time it felt like we were all moving together.

What’s something people often misunderstand about DJs or nightlife culture?

That we’re constantly partying.

Most of the time it’s actually the opposite. I can’t even remember the last time I went out without having to play. There’s a lot of work around it, preparing sets, producing, everything behind the scenes.

You do miss just going out carefree sometimes, but it’s part of building something, and in the end it’s worth it.

What’s been the most memorable dancefloor moment of your journey so far?

Two moments really stand out.

The first one was my Boiler Room at Pukkelpop. It was the biggest crowd I had ever played for and I was extremely nervous. When I started I felt completely overwhelmed, but that feeling disappeared pretty quickly once the tent started filling up. A few minutes later I was just dancing together with thousands of people. That’s something I won’t forget.

The second one was my Face2Face at Garage Klub. Playing a F2F is already something special, but doing it in that context made it even more intense. It’s one of those experiences I’m really grateful for, even if it came with a bit of stress.

What part of this mixtape feels the most like your true identity as a DJ?

Probably my own track in the mix.

I’ve been working on edits together with SWART, and one of them made it into this mix. For me that track really reflects both sides, it’s playful but still hits hard, with a strong bassline. It feels like a good balance between who I am as a person and what I want to bring as a DJ.

What’s the funniest or most chaotic thing that has happened to you at a gig?

I was closing at Club Vaag at 6 in the morning, so technically I had to stop.

There was this one guy who had been going all out during the whole set and clearly wasn’t ready to leave. At some point he leaned over the booth and handed me 100 euros just to play one more track. I didn’t say no.

Finish this sentence: “The perfect afterparty track is…”
…one that makes you realise it’s probably time to go home and get some sleep.

Listen / Follow

Instagram: https://www.instagram.com/bisoux.mp3/
SoundCloud: https://soundcloud.com/bisoux_mp3
Resident Advisor: https://nl.ra.co/dj/bisoux

FULL MIXTAPE

Next up

SFEER00009

For this edition of the SFEER interview series, we sat down with Vince Alphen, an Antwerp based DJ  producer and ofcourse Sfeerbeheer-resident, blending trance and uplifting club sounds. After recently releasing his EP and joining Capture Bookings, he is steadily carving out his place in the scene. Here is his story: 

You recently released an EP and joined an agency. What does this moment in your career feel like for you?

It honestly felt like a tipping point that I never really expected or planned. For a long time I always saw DJing and producing mainly as a hobby I enjoyed doing next to everything else. But joining an agency and releasing music pushed me to take things more seriously and start working towards more consistent productions and releases.

When did you realise DJing and producing were becoming more than just a hobby for you?

The moment I got asked to join Capture Bookings was when things really shifted for me mentally. Until then it was something I just loved doing, but that moment made me realise that people actually believed in what I was building and that I could take this path more seriously.

How would you describe your sound to someone hearing your music for the first time?

I would say it’s a mix of uplifting and happy vibes in a chill setting. The kind of sound that isn’t overly aggressive but still carries energy. Something people can just vibe away to, whether they’re dancing in a club or simply listening and enjoying the atmosphere.

Since releasing your EP, have you noticed any changes in how people react to your music or how promoters approach you?

Definitely in how people see me as an artist. The EP showed another side of what I can create. Interestingly, the music I produce isn’t always exactly what I would play in a set, which sometimes surprises people and makes them look at my sound from a different perspective.

What was the starting point for your EP in the studio, and what connects the tracks together?

The starting point was Where Did You Go. I wanted to make something uplifting after going through a few difficult months. That energy led to Believe afterwards. Sofie in Morocco came when I joined the agency, where I wanted to diversify my sound and explore another direction.

Is there a sound or production element you’re constantly trying to improve in your tracks?

For me it’s always the drums. I try to improve them with every track I make because drums are something you hear throughout the entire record. If the groove and punch feel right, the whole track becomes stronger and more enjoyable to listen to.

What’s been your biggest breakthrough moment in the studio so far?

One of the biggest moments was creating a synth that perfectly fitted a track I’m working on right now. It just clicked immediately with the rest of the production. Those moments are rare but really satisfying when everything suddenly falls into place naturally.

How do you approach building a DJ set today?

I used to prepare my sets in blocks, with sections that were harder and other parts that were more vibey. Nowadays it’s much more instinct based. I watch the crowd and react to their energy. If they want something heavier I push harder, if not I adapt.

What’s a track you didn’t produce yourself but wish you had made?

Make It Far. For me it’s the perfect balance between a harder melodic trance track and an emotional breakdown. The energy and melody work so well together that it’s the kind of track where you think, “I wish that idea came from my studio.”

Looking ahead, what are you most excited about in the near future?

Right now I’m most excited about the upcoming releases I have planned. There are quite a few tracks coming out and they all show different sides of my sound. Some people will connect with certain ones, others with different tracks, but together they form a unique blend.

Listen / Follow

Instagram: https://www.instagram.com/vince_alphen/
SoundCloud: https://soundcloud.com/vincealphen
Resident Advisor: https://ra.co/dj/vincealphen

FULL MIXTAPE

Next up

SFEER00008 Bisoux

For this edition of the SFEER interview series, we sat down with Mia De Winter, known behind the decks as Miamor. a 21 year old DJ shaping her own lane in groove and UK inspired sounds. In a short time she has built serious momentum, staying true to her taste while steadily growing her audience. Here is her story in her own words.

When did electronic music really click for you, like “okay… this is my world”?
Music has always been part of my life. Growing up I listened a lot to 70s and 80s music, especially during car rides. Electronic music really entered my world through my brother. He played old house records and liquid drum and bass, and that had a big impact on me. From there I started exploring on my own. I went through different phases like lo fi house, house, disco house, hard house and trance. Over time it naturally evolved into groove and UK driven sounds. That is when it truly felt like my world.

Do you remember the moment your career started moving fast all of a sudden? What changed?
I had only been DJing for about a year when things suddenly accelerated. I started getting more bookings and about six months later I was picked up by an agency that really helped me grow. Through them I have played some amazing festivals in Belgium and even in the Netherlands. It all happened quite quickly, and I feel very grateful that after just two and a half years I am already at this stage.

What do you think made people connect with you so quickly?
I think it is because I have always stayed true to my own taste. I never chased trends just to grow faster. I played what I genuinely loved at that moment and I believe people could feel that. I want people to recognize my sound and come to see me because they know what I represent. That authenticity is important to me.

How would you describe your sound to someone who has never heard you play before?
My sound is built around groove, but with strong 90s influences that give it swing and a raw edge. I can take it quite underground when the moment feels right. I also like bringing in UK elements such as breaks or dubstep to keep the energy dynamic. I love variety and tension in my sets. It should feel groovy, energetic and slightly unexpected.

Was your sound always clear to you, or did you have to find it over time?
In the beginning I thought I had already found my sound, which was mainly house. But over time my taste shifted a lot. Now I truly feel that groove and UK inspired sounds are where I belong. I also go to parties and festivals where this music is central, which keeps inspiring me. Finding your sound takes time, and I am still evolving, but I feel much more aligned with it now.

What is the feeling you want people to leave with after a Miamor set?
I want people to feel like they genuinely enjoyed themselves and maybe even discovered something new. If someone leaves thinking wow I did not expect that but I loved it, then I am happy. Ideally it feels like they stepped into another world for a while

How do you balance playing what you love versus what the crowd expects?
At more commercial events I might adjust slightly and keep it a bit less underground. But I always stay true to what I personally enjoy. If I fully believe in what I am playing, that energy translates to the crowd. I want people to understand what I stand for and what my sound represents.

What is your approach to reading a room, especially when you are playing bolder or faster tracks?
I am very focused when I play. I am not the biggest hype person, but I am definitely present behind the decks. When I go faster or more intense, I watch how the crowd reacts and adjust if needed. It is about feeling the room without forcing anything.

What is something people do not see behind the scenes?
There is a lot more work than people realize. Preparation takes hours and playing almost every weekend can really affect your sleep and routine. I still have to wake up early every Monday, so combining that with late nights is not always easy. It is fun and exciting, but it also takes discipline.

What is next for you, and what are you chasing in 2026?

I hope to play even more festivals and secure later time slots where I can fully express my sound. In 2026 I want to keep growing steadily, reach bigger stages and have more freedom in what I play. Most importantly, I want to stay true to myself while pushing my groove and UK direction further. 

FULL MIXTAPE

Listen / Follow

Instagram:  miamor.dw
SoundCloud: https://on.soundcloud.com/m2cPVSi4RWBB0zRCng

Next up

SFEER00007 - VINCE ALPHEN (BE)

For SFEER00005 we sat down with Paul Glemser, better known as DJ Feeltoomuch, a 26 year old artist from Ludwigsburg, Germany. His name already says a lot about his sound. There is always a certain intensity in it, something emotional and forward, but still playful enough to surprise you. He moves comfortably through different corners of the scene, without letting subgenre rules decide what he plays or how he builds a set. What stood out most in this conversation was how thoughtful he is about the craft. From the way he digs for music, to how he prepares mentally, to the way he reads a room almost like a language. This is not someone who simply shows up and presses play. This is someone who lives inside the details.

How did your journey into techno music begin?

Paul’s entry into electronic music started in a way that many people will recognize. At 16 years old, he went to a festival thinking it would be mostly EDM, expecting the typical big drops and obvious hooks.
But instead, he was introduced to something completely different. The lineup and the stages exposed him to a wide spectrum of techno subgenres, each with its own identity, energy and purpose.

That moment hit him instantly. He described being fascinated by the depth and versatility of the music, how hypnotizing it can be, and how it pulls you into a flow where the outside world fades away. But it was not only the sound. What truly pulled him in as well was the community around it. The atmosphere, the people, the feeling of belonging to something that was alive and constantly moving.

From that point on, techno was not just something he listened to. It became something he wanted to understand, explore, and eventually shape into his own language.

When you’re selecting tracks for your sets, what matters most to you?

Paul has a very structured way of building his musical world, and it starts with a simple filter:
if a track grabs him on the first listen, it earns a place in his monthly playlist.

But from there, the real work begins. He constantly revisits that playlist, refining it and trimming it down. Tracks that do not fully hold up over time get removed. He only keeps the ones he truly loves, not 80 percent, not almost, but 100 percent.

The result is a collection of music that feels curated and personal, because only the strongest tracks survive his process. When he finally decides which tracks to buy, they come directly from those carefully filtered lists.

What is interesting is that he does not limit himself to a single tempo or subgenre. The one real rule is that every track must carry what he calls the feeltoomuch vibe.
That can mean different things depending on the moment, but the core stays the same: the track needs to feel like something he would stand behind completely, something that belongs to his identity, not just a trend.

Do you prepare your DJ sets in advance?

Paul does not follow a strict routine that looks exactly the same every time. But there is one thing he values deeply before playing: quiet.

He described himself as naturally introverted, and that shows in the way he prepares mentally. Before stepping into the intensity of a booth and a crowd, he needs a moment where everything slows down. Not necessarily in a dramatic way, but simply enough space to calm his head and arrive in the right mindset.

That becomes even more important because Paul is also his own biggest critic. The standards he holds for himself are high, and he does not want to enter a performance feeling rushed, overstimulated or disconnected.
For him, playing well is not only about having the right tracks. It is also about being mentally present, calm and confident enough to let the set unfold naturally.

How do you adapt your sound to different venues and crowds?

This is one of Paul’s biggest strengths, and you can feel that he takes pride in it.

He comes prepared with his full structured library, spread across multiple sticks, giving him the freedom to move in any direction depending on what the room needs. That preparation creates flexibility. It means he is never trapped in one mood or one idea.

But what truly makes the difference is how he reads people. Paul described crowd reading as an art, a form of nonverbal communication.
You are not asking the crowd what they want. You are observing. You are listening with your eyes. You are noticing how people move, how their energy shifts, what emotions are present, and which sounds connect to that emotional state.

Before a set, he researches the lineup and the event itself. If there are names he does not know, he takes time to explore their sound and understand what kind of night it might become. And once he arrives at the venue, he does a final listening moment, feeling the atmosphere and deciding where his set should start.

From there, the rest is intuition. He curates spontaneously, reacting in real time to the crowd’s response, letting the set grow organically rather than following a fixed plan.

Who has influenced you throughout your career?

Paul mentioned that influences have played a huge role in shaping his path.
One name stood out immediately as a major inspiration: Kent (MRD).

He met Kent in March of this year, and beyond being inspired by his artistry, Paul described him as an absolutely lovely person. That detail matters, because it shows what kind of scene Paul values. Not only talent, but also character. Not only skill, but also connection.

Sometimes inspiration is not just the music someone makes, but the way they carry themselves in the culture. And for Paul, that meeting clearly left a strong impression.

What are your favorite tracks at the moment?

Right now, these are the tracks Paul is loving the most:

There She Goes (Ibiza Edit) / Maruwa
Neverland / David Löhlein
Put Me In Heaven With Your Touch (Lange Remix) / Rhythm of Life
I Might Love You / Sven Kruetzmann

It is a list that says a lot about his taste: emotional edges, high energy, and tracks that feel made for hands in the air moments, but still with depth underneath.

What is the perfect BPM for you?

Paul does not believe there is one perfect answer, because the truth is more flexible than that.

For him, the ideal BPM depends on the situation, the room, and especially the DJ’s ability to read the crowd. Any BPM can feel perfect if you know how to use it correctly. The real skill is not in chasing the highest number, but in knowing exactly when to push, when to hold back, and how to keep the energy alive.

In his view, tempo is just one tool. The real goal is always the same: make the crowd feel something, and keep that momentum moving forward.

What is one of the craziest moments you experienced during a set?

One of the wildest stories Paul shared happened at Lokschuppen Berlin.

The crowd was partying so intensely that they were hammering against a metal grille in front of the booth. The energy was so physical and relentless that it literally affected the environment.
At one point, a lightbulb above his mixer broke, and screws started falling down onto his decks.

It is the kind of moment that sounds unreal until you remember what these nights can become when the crowd fully loses themselves. Chaos, intensity, pure pressure.
And somehow, it becomes a memory that stays with you forever.

How do you see the evolution of the techno scene?

Paul described the scene as something that is constantly changing, always moving through phases and transformations. Some changes feel exciting and positive, others can feel messy or confusing. But he does not see that as purely good or bad.

Instead, he believes every change contributes to learning. The culture evolves because people experiment, push boundaries, and sometimes make mistakes. Over time, the scene builds itself through those cycles.

That mindset is important, because it shows he is not stuck in nostalgia. He is watching the scene as something alive, and he is growing with it.

What is next for you?

The next months look very exciting for Paul. He hinted at several strong projects coming up, including a Boiler Room event in October.

Alongside that, he mentioned that there is new music on the way, great collaborations in progress, and a run of gigs he is genuinely looking forward to.
It feels like a moment where things are building, where work from previous years starts turning into bigger opportunities.

What advice would you give to aspiring DJs?

Paul’s advice was honest and practical, and it comes from experience rather than motivational talk.

Keep going
Keep learning
Never underestimate the importance of networking

But beyond that, he emphasized something that often gets ignored in this scene: mental health and balance.

Spending too much time on music can limit creativity just as much as spending too little. If your entire life becomes only digging, producing, and overthinking, you can burn out, and you stop hearing the magic.
On the other hand, if you do not give it enough time, you never develop the skill.

For Paul, the key is finding a rhythm where you grow without losing yourself.

FULL MIXTAPE

Next up

SFEER00006 - MIAMOR (BE) 

Meet Arne, also known by his artist name DØEMP. Born in Roermond (Netherlands) but raised in Belgium, he carries a dual nationality and a perspective shaped by both scenes. At 26 years old, DØEMP sits right at the crossroads of modern club culture: part DJ, part builder of community, and part organiser who understands the dancefloor from every angle. His story is not the typical overnight DJ narrative. It is one built through nights in Antwerp, endless hours digging for music, learning the rooms from the inside, and slowly carving out a sound that lives somewhere between high energy techno, hard dance and trance driven rave pressure. And maybe most importantly, it is a story shaped by the reality of wearing multiple hats at once: artist, organiser, and founder of SFEERBEHEER.

How did your journey into electronic music begin?

DØEMP’s relationship with electronic music started early, long before any serious DJ ambitions were on the table. Like many people who end up falling in love with high intensity club music, it began with something fast and energetic: drum and bass. That first connection to speed, tension and release planted the seed for what would later become his signature style.

But the real turning point came during his studies in Antwerp. That period opened the door to a completely different nightlife world, one that felt raw, intense, and deeply personal. He became a regular in local clubs, especially Club Vaag, where the sound and atmosphere left a deep impact. Those nights did more than entertain. They shaped taste, built curiosity, and created the desire to understand what makes a room truly move.

Eventually, Club Vaag was not just a place he visited. He worked there too, behind the bar, learning the rhythm of a club from the inside out. Watching DJs, feeling the tempo shifts throughout the night, noticing what tracks created reactions and which ones emptied the floor, all of that became a silent education. And from there, stepping behind the decks became the natural next chapter.

How do you select tracks for your sets?

For DØEMP, track selection is not about sticking to rigid formulas. It is deeply intuitive and heavily connected to context. He explained that he likes to sense the vibe of the event before even arriving. Is it an open air festival in daylight, where people want that euphoric lift? Is it a sweaty midnight slot, where impact and rhythm matter most? Or is it a closing set, where the goal becomes storytelling, tension and that final emotional push?

Instead of overplanning, he prepares in a way that still leaves space for freedom. Before a gig, he builds a playlist of around 100 tracks, almost like a personal library for that specific night. Then, during the performance, he chooses based on what the room needs in real time.

That approach says a lot about his style. He wants sets to feel alive, not pre programmed. And he wants the crowd to feel like the night is being created with them, not simply delivered to them.

Was there a key moment that changed your confidence as a DJ?

One of the most important moments for DØEMP came early in his career, when he won his first DJ contest. He described it as pivotal, not necessarily because it changed everything overnight, but because it gave him something that many DJs struggle to build for years: confidence.

Winning confirmed that the hours were worth it. That the taste was right. That the instincts were real. And once that belief kicks in, progress tends to accelerate. DØEMP mentioned that after that moment, things moved fast. Doors opened, motivation grew, and the idea of taking the project seriously stopped feeling like a dream and started feeling like a plan.

Another major step was joining Bright Bookings agency, which marked a clear signal of growth. Not just in terms of opportunities, but in terms of identity. It placed him within a professional network and reinforced that the project was moving into a bigger stage.

How do you prepare for a set?

Preparation is a core part of DØEMP’s process. He is not the type to show up with the same folder of tracks every weekend. Instead, he makes sure that every set contains something fresh, something that reflects where his head is at in that moment.

He aims to have at least 20 new tracks that truly resonate with his current vibe. That means actively searching for music before each set, digging for new gems, and staying connected to the constant movement of the scene.

It is not only about having new music, but about staying inspired. Fresh tracks keep the excitement alive, and that excitement translates directly into the performance.

And of course, he added something very human to the ritual too: a pint before stepping into the booth never hurts. Not for the image, not for the vibe, but simply to calm the nerves and step into the moment with ease.

How do you adapt to different venues and audiences?

One of DØEMP’s biggest strengths lies in reading a room quickly. He pays attention to the small things: the way people move, how tightly they gather, how they react to tempo changes, when the energy rises or drops. Those details become signals.

Based on that energy, he adjusts both BPM and track selection. Some crowds want constant pressure. Others respond better to groove and variation. Some spaces need time to warm up, while others are instantly locked in and ready for full speed.

That adaptability is what separates a DJ from a playlist. The ability to feel what is happening and shape the night accordingly is exactly where DØEMP thrives.

Who inspires you right now?

When talking about inspiration, DØEMP mentioned a selection of artists that reflect his taste and his direction. Names like:

Elon Bass
Sachsentrance
Blayde
Heggemann
Venere

Each of these carries their own signature energy, but they share a common thread: forward moving pressure, bold choices, and a strong identity. Those influences can be heard in the way DØEMP balances drive and intensity with playful, trance leaning moments.

What is the perfect BPM for you?

DØEMP prefers speed. His sets often sit between 160 and 170 BPM, a range that matches the modern hard dance and fast techno shift, but also fits the kind of high intensity energy he likes to build.

It is a tempo range that leaves no room for hesitation. It pushes momentum forward and forces the room into movement. But as he explained earlier, BPM is never just a number. It is a tool. The real goal is the feeling it creates, and how well it matches the crowd in front of him.

How do you view the evolution of the techno scene today?

Reflecting on the scene, DØEMP recognizes that “techno” has become broader than ever. The sound has expanded, split into micro genres, merged with trance, hard dance and rave revival influences. And because of that, not every listener fully understands how diverse the space has become.

But instead of seeing that as a problem, he focuses on one thing that matters above everything: fun on the dancefloor. The scene can evolve endlessly, names can change, and trends can come and go, but the point remains the same. If people are smiling, moving, and losing themselves in the moment, the music is doing its job.

How has it been balancing DJ life with running SFEERBEHEER?

As founder of SFEERBEHEER, DØEMP’s journey has always been more than just music. Building a concept, organising events, managing a team, creating a community, and keeping everything alive behind the scenes is a serious responsibility. And balancing that with being an artist takes discipline.

He described it as challenging, but ultimately rewarding. Because being an organiser teaches you something most DJs never fully learn: how the entire ecosystem works. What a crowd needs, what creates real atmosphere, what artists need to feel comfortable, what makes a night flow beyond just music.

After five years, he is proud of what he and his team have built. SFEERBEHEER is not just a party. It is a platform, a community, and a reflection of the culture around it. And DØEMP continues to shape it from both sides: behind the decks and behind the concept.

FULL MIXTAPE

Next up

SFEER00005 - DJ FEELTOOMUCH (GER)  

we sat down with Jean Pierre Reiche, better known as DJ HTTPS, a 24 year old artist from Frankenthal (Pfalz), Germany. His story feels very current in the best way: someone who grew into the harder and faster side of club culture without overthinking it, but with a clear love for digging, discovering, and building a sound that is personal. DJ HTTPS carries a mix of playful energy and serious taste. He is drawn to progressive house and trance moods, but approaches the dancefloor with a flexible mindset. Sometimes it is bouncy, sometimes it is driving, sometimes it is emotional, and sometimes it is pure chaos in the fun way. The common thread is always movement and curiosity. What stood out in this interview is how much he values the moment itself. Not trends, not formulas, not rules. Just the feeling in the room and the music that belongs to it.

Where did your interest in techno begin?

Jean Pierre’s connection with techno started in a very natural way. After moving back to southern Germany from the north, his brother took him to a techno club for the first time.
That first experience did what the best nights always do. It did not just entertain him, it pulled him into it. The sound, the atmosphere, the energy in the room, it sparked something instantly.

From there it became more than curiosity. It became a lasting passion, the kind that stays with you long after the music stops, and slowly turns into a lifestyle. For DJ HTTPS, that first introduction was the start of a long path of listening, learning, collecting, and eventually stepping into the booth himself.

How do you select tracks for your sets?

When Jean Pierre talks about music selection, you can tell he genuinely enjoys the process. He is not someone who only hunts for the newest releases or the most obvious weapons.
Instead, he loves going back into time, especially by exploring old 90s Various Artists mixtapes. That kind of digging often leads you into unexpected corners, where you find tracks that still sound fresh because they were never overplayed to begin with.

Once he discovers an artist that catches his ear, he goes deeper. He listens through their world, checks related names, and gradually builds a collection that becomes more and more personal over time.
It is not just track collecting, it is creating a musical identity through reference points and discoveries that feel earned.

What is one of the most unforgettable moments in your DJ journey so far?

One of the most memorable moments in Jean Pierre’s career happened in a single weekend, and it sounds almost unreal when you say it out loud.
Within that same weekend, he played his debut performances in France (Paris) and Spain (Madrid), while also landing a Rinse France Mix.

For a young artist, that kind of weekend hits like a highlight reel of everything you dream of when you start. New cities, new crowds, new energy, and suddenly your name is moving across borders.
He described it as an exhilarating experience, the kind that reminds you why you do this in the first place. Not for numbers, but for moments that feel bigger than your own bedroom or local scene.

Do you prepare your DJ sets in advance?

DJ HTTPS keeps his preparation simple, but not careless.
He does not really plan his sets in advance, and he does not build strict tracklists for performances. Instead, his preparation is something that happens continuously. He is always searching for new music, always collecting ideas, always adding to the pool.

When it is time to play, he relies on the real key skill a DJ needs: sensing the room. He lets the crowd decide where it should go next, not by asking them directly, but by reading the atmosphere.
This approach keeps his sets alive. It makes them unpredictable in the best way. The music becomes a conversation between him and the dancefloor.

How do you adapt your sets to different venues and audiences?

For Jean Pierre, adaptation is not one fixed method. It depends on the situation.
Sometimes he knows the venue well, and he understands what works there. Sometimes it is completely new, and he needs to learn the vibe in real time. The crowd can also change everything. Some rooms arrive ready to explode. Some rooms need more time, more groove, more patience.

What matters most is that he stays present. He tries to absorb the energy that is already there, and then reflect it back through the music.
This mindset is very true to his style. It is not about forcing the crowd into one idea. It is about meeting them where they are, and then slowly guiding them into something stronger.

What sounds and influences do you feel connected to?

Musically, Jean Pierre has a clear love for Progressive House and Trance. Those genres carry a certain emotion that fits him well. The builds, the bright tension, the movement in the melodies, it creates that feeling of forward motion that does not stop.

One artist he specifically mentioned as an inspiration is Maara, someone known for bringing a refined, emotional and modern touch to that world.
It makes sense, because DJ HTTPS also seems to enjoy music that has personality and atmosphere, not just raw power.

Is there a perfect BPM for you?

Jean Pierre does not believe in a perfect BPM.
For him, BPM is not a rulebook, it is a tool. It depends on the mood, the crowd, the time of night, and what kind of journey you are trying to build.

He mentioned that his range can go anywhere from 130 to 155 BPM, and the truth is that makes his sets flexible.
Some moments want groove and bounce. Other moments want speed and pressure. The perfect BPM is simply the one that matches the energy in front of you.

Any funny or unexpected moments during one of your sets?

One of the most unique stories he shared was surprisingly wholesome and absurd at the same time.
During a set, someone kept insisting that he should sign their arm. Not once, but repeatedly, almost as if it was a mission they could not drop.

Jean Pierre eventually agreed and signed it, and the moment became its own little chaos bubble in the night.
But the best part came right after: the person who demanded the autograph then forgot his DJ name completely.
It is exactly the kind of moment that reminds you the dancefloor is not a serious place, even when the music is intense. It is chaotic, funny, and human.

How do you feel the techno scene has changed over time?

Jean Pierre notices a shift in how the scene functions today, and he talks about it in a very grounded way.
He feels that techno culture has started relying much more on social media, sometimes to an unhealthy degree. The pressure to perform online, to constantly post, to constantly be visible, can feel like it matters more than the music itself.

He personally finds that unfortunate, because it shifts attention away from what should be central: the sound and the experience in the room.
At the same time, he does not believe social media is essential for success. For him, the music still matters most, and real connections still carry more weight than online noise.

What is next for you?

Looking ahead, DJ HTTPS has an upcoming track release via Sachsentrance, and he remains open to future projects and collaborations.
You can feel that he is in that phase where momentum is building. The foundations are strong, the taste is clear, and the opportunities are starting to stack up naturally.

Any advice for aspiring techno DJs?

His advice is simple, but it is the advice most people forget as soon as they start chasing results.
Stay authentic. Stay true to your passion for music. Do it because you love it, not because it looks good on a screen.

That mindset is probably the most sustainable one you can have in a scene that changes fast and often rewards the wrong things.

How was your experience playing for SFEERBEHEER?

DJ HTTPS described playing for SFEERBEHEER as a fantastic experience.
He said it was genuinely enjoyable, not just because of the crowd, but because the team behind it made it feel easy and welcoming. A strong crew always changes the night, because you feel taken care of and you can focus fully on the set.

He looks back at it as a very positive memory, and he is definitely open to returning again in the future. For us, that is exactly the kind of connection we want to build. Artists who feel at home, and nights that leave something behind.

FULL MIXTAPE

Listen / Follow

SoundCloud https://soundcloud.com/djhttps

Next up

SFEER00004 - DØEMP (BEL/NL) 

DJ Local B is one of those artists that feels inseparable from his own local scene. At only 23 years old, Ole grew up inside the energy of Braunschweig’s nightlife, and from a young age he was already chasing the sound, the crowd and the feeling that comes with fast, euphoric club music.

What makes Local B stand out is his approach to DJing. It is not about perfection or strict rules, but about the emotional result on the dancefloor. Groove, melody, that essential trance offbeat bassline, and a weakness for trance pop and edits all come together in sets that are built around one main goal: good vibes and real connection.

How did you first get into the Braunschweig techno scene?

Local B developed a fascination for the Braunschweig techno scene at a young age. He even admitted that he used to sneak into clubs at just 15 years old, purely because he wanted to be close to the music and the culture that surrounded it.

Over the years, that curiosity turned into involvement. Together with his collective, he slowly became a real part of the local movement, not just as someone attending events, but as someone helping shape the sound and energy coming out of his city.

What do you look for when selecting tracks for your sets?

When it comes to track selection, Local B keeps his priorities clear. He cares most about:

Grooviness
Tracks need momentum and swing, something that instantly moves people.

Melody
Even in harder and faster music, melody adds emotion and memorability.

He also insists on one element that defines his sound: the classic trance offbeat bassline. It is essential. On top of that, he openly admits having a weakness for trance pop and edits, as long as they fit the mood and keep the set centered around pure positivity.

For him, everything always comes back to the same thing: the vibe has to feel good.

What is a memorable moment from your DJ career so far?

Local B shared a moment from Trance Force One by Sachsentrance that stayed with him. The experience started with technical issues, and at first it genuinely unsettled him.

There was a hiccup with the player, and those situations can quickly shake your confidence, especially when you feel the room watching and waiting. But in the end, the set still came together, and the whole thing turned into one of those unforgettable nights where you learn that the best moments are sometimes the ones you did not plan for.

How do you prepare for a DJ set?

In terms of preparation, Local B builds a setlist with a balance of fresh discoveries and trusted classics. He mixes in new tracks, but also keeps space for evergreens that always work.

He only plans two parts in a more fixed way:
the opening tracks
the closing tracks

Everything in between is meant to stay flexible. He prefers spontaneous and freer sets because it allows him to react better to the crowd, the vibe, and the moment.

How do you adapt your sets to different venues and audiences?

For Local B, adapting is about context. He adjusts his approach based on:

his playtime slot
the acts before him
the acts after him

He explained that outdoor events often call for a different energy, usually something more playful and slightly slower, compared to a peak time indoor rave where you can push intensity further.

It is all about understanding the environment while still keeping the core identity of his sound intact.

Who inspires you right now?

Local B mentioned taking inspiration from DJ Heartstring, especially their sound and the way they blend emotion with impact.

He also highlighted his love for eurodance, especially when it comes with disco elements. That influence clearly shows in the playful, melodic side of his selections, where nostalgia and modern rave energy meet.

What are your current favorite tracks?

His favorite tracks at the moment include:

Never Leave You / Spacer Woman Edit / Lumidee
Geiz Ist Geil / DJ Equipment
Watch Me Dance / Cheese Louise
Feel It / Jaw

It is a list that perfectly reflects his identity: upbeat, fun, hooky, and designed to light up a dancefloor.

What is the perfect BPM for you?

Local B said his perfect BPM sits between 150 and 160 BPM.
Fast enough to keep things sharp and euphoric, but still flexible depending on the atmosphere and the crowd.

Have you ever had a strange situation during a set?

He shared one incident that was both amusing and annoying at the same time. During a set, a guy was dancing behind him and repeatedly grabbed his CDJs.

It is the kind of moment that sounds funny as a story afterwards, but in real time it can be incredibly distracting. Still, it became one of those classic memories that every DJ collects sooner or later.

How do you see the evolution of the scene right now?

Local B pointed out that the trance hype has become huge. In his view, it is not only shaping the club scene, but even influencing rap and pop music. The sound has crossed boundaries and become part of a much wider cultural wave.

He also mentioned exciting upcoming projects, including something with 5euroGoldi and a second feature with Trancemaster Krause.

What advice would you give to aspiring DJs?

His advice stays simple and honest:

Always do what you love
Make music for you, not for clicks

It is a clear reminder that authenticity and passion will always last longer than chasing trends.

How was your experience playing for SFEERBEHEER?

Local B expressed real satisfaction with his first gig for SFEERBEHEER. He described the team as professional and supportive, which made the whole experience feel easy and welcoming.

He also said he is excited to return in 2024, and we are proud to officially announce him as our 2024 international resident.

FULL MIXTAPE

Listen / Follow

SoundCloud https://soundcloud.com/djlocalb (SoundCloud)
Instagram https://www.instagram.com/djlocalb/ (Instagram)
Resident Advisor https://ra.co/dj/djlocalb (Resident Advisor)

Next up

SFEER00003 - DJ HTTPS (GER)

We recently had the chance to talk with Umbraid, and what started as a simple interview quickly turned into one of those conversations that explains more than just track choices and BPM.
Umbraid carries a sound that feels fast, bright and emotional, but always with personality. It is playful, sharp, and energetic, sitting somewhere between hard dance and trance while still feeling modern and underground at the same time.

From early band days to a festival moment that changed everything, he shared how his journey started, how he thinks about DJ sets, and what stood out to him when he played for SFEERBEHEER.

How did your journey into electronic music begin?

Umbraid did not start out with clubs or dance music as his first home. Before stepping into techno and harder sounds, he spent time in a rock band, playing guitar and doing vocals. Even then, the band was already experimenting beyond the classic instruments, using synths and drum samples, slowly leaning into electronic textures.

But the real turning point came later. When he attended Dour Festival, it was the first time the full impact of electronic music truly clicked for him. He described it as a mind blowing experience, the kind of night that stays with you long after it ends. Coming home from that weekend, he did not just feel inspired. He felt pulled into it. That moment became the push to start producing his own music.

What do you look for when selecting tracks for your sets?

When Umbraid curates a set, he is not looking for safe choices. He mentioned three key elements that decide whether a track belongs in his world:

Energy
It has to move people and shift the room. Not just loud or fast, but meaningful energy.

Funniness
A playful twist, something unexpected, a moment that breaks the seriousness and makes the dancefloor react.

Uniqueness
Tracks need personality. Something different from what everyone already plays.

Together, these criteria help him build sets that feel alive, surprising and personal, rather than predictable.

How do you prepare for a DJ set?

Umbraid usually creates a tracklist before playing. Not as a strict plan, but more like a starting point. It helps him visualize the energy and direction he could take.
But once he is in the booth, he allows the moment to decide. He does not feel the need to follow the list exactly, because the best parts often happen when you react to the crowd and the room in real time.

He also shared a funny but very real part of being an artist today. Sometimes he enjoys DJing on the move, using nothing more than a laptop trackpad while travelling on trains and airplanes. It is a detail that says a lot about his mindset. The music never really stops, and the work continues wherever you are.

How do you adapt your set to different venues and crowds?

For Umbraid, reading the room starts before he even plays. He pays close attention to the lineup, because it tells him what kind of energy the crowd will expect. That context helps him shape his approach without losing his own identity.

During the set, he believes in keeping things dynamic. Even when playing fast and intense music, it should still have movement. Ups and downs matter. Tension and release matter. A great set is not just one long peak. It is a journey with contrast, where the crowd gets pulled deeper and deeper into the experience.

Which artists inspire you right now?

Umbraid mentioned several names that currently inspire him and match the world he operates in:

Funk Tribu
Part Time Killer
Marlon Hoffstadt

Artists who balance club impact with groove and character, and who push the modern hard dance and trance sound forward.

What are your favorite tracks at the moment?

His current picks reflect both his taste and the kind of emotions he likes on the dancefloor:

Nanana / Mietze Conte
Out of Luck / K
Close your Eyes / Ivri and Tomcbumpz

What is the perfect BPM for you?

Umbraid likes to sit in the range of 150 to 160 BPM.
But he also made it clear that BPM is not a strict rule. It depends on the crowd and the energy in the room. Sometimes the audience is ready for full power, sometimes you build it up more carefully. The perfect BPM is the one that makes the moment hit right.

How do you view the evolution of the techno scene today?

Umbraid observed that the scene has become more popular, but also harder and faster. Over time, the sound shifted so far that he feels it does not fit neatly into the word techno anymore.

That is why he personally prefers calling his music Hard Dance / Trance.
To him, it describes the direction the culture has moved toward, faster rhythms, brighter emotions, stronger energy, and a sound that is built for modern rave moments rather than old genre boundaries.

How was your experience playing for SFEERBEHEER?

Umbraid told us he was genuinely excited to play in Flanders, because he has a real love for partying there. He was not disappointed and had a great time playing after Eargasm God.

What stood out to him most was the DJ booth setup. The booth was placed on the same level as the crowd, with people all around it. That detail instantly changes the feeling of a set. There is no distance between the DJ and the audience. The room becomes one shared space, and the energy feels closer, more intense, and more alive.

For Umbraid, that atmosphere added something unique to the night, and made the whole experience even more memorable.

FULL MIXTAPE

Listen / Follow

SoundCloud https://soundcloud.com/umbraid
Instagram https://www.instagram.com/umbraid_/
Resident Advisor https://ra.co/dj/umbraid
Bandcamp https://umbraid.bandcamp.com/

Next up

SFEER00002  - DJ LOCAL B (DE)